The master artist Raphael rendered this portrait of a maiden with a unicorn. It’s a paean to the way Italian 16th-century men concieved of beauty and virtue — the two were inextricably woven together. And perhaps Raphael didn’t mean it, but his painting also shows how fantastical and unrealistic these expectations were for most women
Raphael and Patriarchal Standards in Renaissance Italy Read More »
This painting documents one of the oldest stories ever recorded, and it’s all about how evil entered the world. And the blame goes straight onto women, and frankly it’s exhausting. _Eva Prima Pandora_, or “Eve the First Pandora”, done by Jean Cousins around 1550, conflates the stories of the Ancient Greek first mortal woman,
What could be more fun on a Friday than stories about travel and tawdry Popes? How about the Baroque-era Vatican in 17th-century Rome and a pope from the ridiculously wealthy Italian family, who went to war for Papal territory and drove the apostolic see into great debt? Pictured here is the Baldacchino, the enormous
Bernini’s Baldacchino Read More »
Non-verbal communication is a scholarly subject usually studied by academics looking at modern human behavior. Physical gestures of course existed in past times too, but often there is little written evidence — whole catalogues of affective conversations that would have been instantly recognizable to anyone are closed off to historians, because they were so rarely
Communication Through Portraiture Read More »
This post is three days past the memorial day of the person featured here, Saint Agatha of Sicily. She’s one of my favorite regulars in the history of Christian artwork — right along the arrows all over St Sebastian and St Lucy with her eyeballs or Catherine of Alexandria with her wheel or John with
Saint Agatha of Sicily Read More »
