Christian history

image from the great necropolis of Porto

Death in the Mediterranean

How we treat the dead reflects much about what the living believe. In the Ancient Mediterranean, pagan cultures considered the proper burial of the deceased to be of critical importance: otherwise, the dead person’s spirit would have a restless afterlife. On the other hand, the world of the living was to be kept separate from

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painting of a nude woman lying down, she is leaning on a skull and her hand rests on a jar

Eva Prima Pandora

This painting documents one of the oldest stories ever recorded, and it’s all about how evil entered the world. And the blame goes straight onto women, and frankly it’s exhausting.   _Eva Prima Pandora_, or “Eve the First Pandora”, done by Jean Cousins around 1550, conflates the stories of the Ancient Greek first mortal woman,

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Baldwin It’s Cold Outside

It’s my tradition each year to celebrate the season with historically themed Christmas carols — and so here you go: “Baldwin, it’s cold outside!” Set to the tune of “Baby it’s cold outside,” by Frank Loesser, this cover deals with the first super bad Viking raid in Western Europe. In 793, the pagan Norsemen attacked

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a stone cell on the side of a medieval church

The Anchorite Burials

One of the eeriest Medieval practices was the ceremonial burial of the anchorite, or the “Servicium Recludendi” as one litany calls it. Imagine being in the head-space of an anchorite, in which you were so concerned about devoting your life to prayer and abjuration of this world that you willingly entombed yourself in a prayer

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a chainmail cape

Bishop’s Mantle

This unusual garment is called a “Bishop’s Mantle,” because of its similarity to the robes worn by such clergymen, but if you look closely, you’ll see it’s made up of linked chains — and is actually armor.   In fact, it probably was only dubbed a “Bishop’s Mantle” by 19th-century antiquarians, and we might think

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a bronze door knocker shaped like a lion's head

The Durham Sanctuary Knocker

Yesterday I wrote a post about a religious boundary line from Ancient Rome — one that was powerful enough to halt even state-sponsored violence within its borders. And today, here is another: this time, from the Medieval cathedral of Durham, England.   This is the original “Sanctuary Knocker,” cast in bronze in 1155. As _The

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stone carving of a naked woman

Sheela-Na-Gig

This is a Sheela-na-gig: a type of statue or carving found on European Christian buildings from the Central Middle Ages showing a naked woman overtly displaying her vulva. Whatever messages they were intended to make — fertility blessing, pagan remnant, or grotesque ridicule — contrasted with the high value of female virginity promoted by the

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Saint Agatha of Sicily

This post is three days past the memorial day of the person featured here, Saint Agatha of Sicily. She’s one of my favorite regulars in the history of Christian artwork — right along the arrows all over St Sebastian and St Lucy with her eyeballs or Catherine of Alexandria with her wheel or John with

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stone panel of carved runic text and images

Franks Casket

You are looking at one of the most puzzled over artistic products of Early Medieval Britain — it is one panel of a rectangular container known as the Franks Casket. Made in 7th-century Northumbria in northern England, it has a fascinating hodgepodge of Germanic/Celtic/Ancient Roman influences, and scholars still debate the exact meanings of the

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Incubus and Succubus

In recognition of St Valentine’s Day, I thought I had better write about demon sex in the Middle Ages.   And Church theologians thought this actually happened, where demons could appear to a woman and have sex with her, making her pregnant. The character Merlin from Medieval Arthurian legend, was born from a woman and

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a close up of an illuminated manuscript. within a circle, three figures stand. on the edge there are at least five male bust drawings

The Witch of Endor

This is a late 12th-century illustration of “the Witch of Endor,” a prophetess from the Bible who could raise the spirits of the dead and talk to them. Artists have enjoyed illustrating her almost as much as religious people have enjoyed debating about her powers.   In the Hebrew Bible/Old Testament First Book of Samuel

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