art

The Discovery of Mauve

The purple color of this Victorian dress testifies to the discovery of “mauve,” the world’s first synthetic dye. And it was a really, really big deal.   The color was produced serendipitously by a brilliant 18-year old named William Henry Perkin in 1856, who didn’t start out his career path to become the millionaire founder […]

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Çatalhöyük Figure

This fleshy female figure, found facing frontal with felines (haha say that ten times fast) comes from one of the earliest human civilizations that developed agriculture, the Neolithic settlement of Çatalhöyük. The ruins are wonders, spanning thousands of years from 7,500-6,400 BCE, built up layer upon layer of 18 levels. Çatalhöyük gives lots of evidence

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statue of a woman nursing a child while another woman dresses her hair

The Slaves of Mesopotamia

This statuette of a nursing mother having her hair done captures an ordinary moment of a civilization long gone by. Dating between 1981-1500 BCE, it comes from the world’s oldest urban civilizations in Ancient Mesopotamia. It was in among peoples in this era that slavery was first documented. And among the first types of people

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a marble Roman gravestone with a dog carved into it

Roman Children and Roman Dogs

The way Ancient Romans treated their dogs mirrored the social relationships among Roman people, and this was at times horrific, and at times truly creepy.   As Robin Fleming presents in her recent lecture “Dogsbodies and Dogs’ Bodies: A Social and Cultural History of Roman Britain’s Dogs and People,” Ancient Roman elites kept pet dogs,

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Saint Agatha of Sicily

This post is three days past the memorial day of the person featured here, Saint Agatha of Sicily. She’s one of my favorite regulars in the history of Christian artwork — right along the arrows all over St Sebastian and St Lucy with her eyeballs or Catherine of Alexandria with her wheel or John with

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stone panel of carved runic text and images

Franks Casket

You are looking at one of the most puzzled over artistic products of Early Medieval Britain — it is one panel of a rectangular container known as the Franks Casket. Made in 7th-century Northumbria in northern England, it has a fascinating hodgepodge of Germanic/Celtic/Ancient Roman influences, and scholars still debate the exact meanings of the

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Indigenous Burial Mounds

This extraordinary scene from a 348-long muslin painting called “Panorama of the Monumental Grandeur of the Mississippi Valley” was done by an American artist named John J. Egan in 1850. Looking carefully at the details, you can see that white Americans are using their black slaves to open up an American Indian burial mound. The

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black and white photo of a person in traditional dress on the back of a horse

The Hutsuls

The Carpathian Mountains in Western Ukraine are some of the traditional homelands of the Hutsul peoples. Although their roots extend back hundreds of years, the term “Hutsul” first appears in written sources in 1816, when it was used by outsiders — in fact, the term’s etymology, although uncertain, might derive from the critical words for

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painted image of a man with long hair in a red coat inside a forest

Modern Rendition of The Hutsuls

This painting, from Ukrainian artist “AveOko”, is called “Mofar (3)”, and is a modern rendition of a figure from the Hutsul culture. The Hutsuls, a mountain- and- forest- dwelling people in Western Ukraine, consider mofars to be a type of shamen, using herbalism and folk magic. Mofars are considered neither evil nor good per se,

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