women’s history

Jemima Wilkinson

The Society of Universal Friends

The Great Awakening had a lot of impact. Not only did it lay the groundwork for countless American high school students to read _The Scarlet Letter_, but it created a mood of religious dynamism that inspired many to begin their own Christian denominations. Like this person here, the “Publick Universal Friend,” neé Jemima Wilkinson, born

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The Battle on the Bridge

In the second century of the Common Era, China’s Han Dynasty oversaw an unusually long period of peace and prosperity. Nonetheless, military conflicts punctuated the era, and often the elite aristocratic families were involved. The Wu Family Shrines document such events, and featured prominently in one of the stone chambers there, amidst many other bas-relief

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History of the Cornucopia

In the United States today is the Thanksgiving holiday, and a common symbol (besides a turkey cross-dressing as a Pilgrim) is the cornucopia, or “Horn of Plenty”. This sounds like a magical item from the modern gaming world, but it goes back to Ancient Greek and Roman times.   Here, for instance, is a fourth-century

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The Mattress Museum of Contemporary Art

The Mattress Museum of Contemporary art was started in Pittsburgh in 1977, when an old mattress factory was turned into an unusually immersive art experience. The rooms have installations that are intended to be viewed in their particular locations, and the various tableaus and rooms are a mixture of permanent and artist-in-residence exhibits.   The

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painting of a nude woman lying down, she is leaning on a skull and her hand rests on a jar

Eva Prima Pandora

This painting documents one of the oldest stories ever recorded, and it’s all about how evil entered the world. And the blame goes straight onto women, and frankly it’s exhausting.   _Eva Prima Pandora_, or “Eve the First Pandora”, done by Jean Cousins around 1550, conflates the stories of the Ancient Greek first mortal woman,

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figure of a dissected phallus-shaped vagina with latin text

De humani corporis fabrica

No, this isn’t what you think it is, readers: I know it *looks* like a penis, but really it’s not. Rather, what you see is a 16th-century woodcut illustration of the dissected genitals of a woman.   Er, if that’s not obvious to you, don’t worry. Commissioned for Andreus Vesalius’s famous _De humani corporis fabrica_

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a stone cell on the side of a medieval church

The Anchorite Burials

One of the eeriest Medieval practices was the ceremonial burial of the anchorite, or the “Servicium Recludendi” as one litany calls it. Imagine being in the head-space of an anchorite, in which you were so concerned about devoting your life to prayer and abjuration of this world that you willingly entombed yourself in a prayer

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colored print entitled "Indian Women playing the Game of Plum Stones." Several indigenous women are gathered together.

Indigenous Dice Games

This is a mid-19th century North American painting entitled _Indian Women Playing the Game of Plum Stones_, and testifies to the ubiquitous practice of dice gambling that American Indian women played in pre-colonial times.   As evidence summarized by Warren DeBoer suggests, gambling was a pastime that American Indian women seemed to have enjoyed across

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“Letters of a Peruvian Woman”

Here you see an illustration showing the happy and regal-looking figure of an Inca princess named Zilia. Captured from her homeland and torn from her fiancé, Zilia was rescued by a French captain and taken to Europe, where she was exposed to a culture that imagined itself enlightened, but which Zilia found repressive.   Zilia

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a Southwestern style building with a dying garden

La Posada

Here you see La Posada, constructed in 1929 in Winslow Arizona — the last of the Fred Harvey Hotels still in operation. The Fred Harvey Company’s restaurants and hotels shaped the architectural landscape and culture of the American Southwest — packaging the American Indian, Spanish Mission Revival, and US cowboy culture for middle-class tourism. And

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stone carving of a naked woman

Sheela-Na-Gig

This is a Sheela-na-gig: a type of statue or carving found on European Christian buildings from the Central Middle Ages showing a naked woman overtly displaying her vulva. Whatever messages they were intended to make — fertility blessing, pagan remnant, or grotesque ridicule — contrasted with the high value of female virginity promoted by the

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a skull without a lower jaw, plaster fills in the eyes and nose and shells are place into the eyes

Neolithic Death Rights

Might I introduce to you Monsieurs and/or Madames skulls “D 111” and “D 112”? For such boring names, these heads – carefully plastered, tended to (de-mantibled), and decorated (check out the eye shells) — are some of the best evidence we have for how some early cultures thought about death, ancestor worship, and property.  

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Çatalhöyük Figure

This fleshy female figure, found facing frontal with felines (haha say that ten times fast) comes from one of the earliest human civilizations that developed agriculture, the Neolithic settlement of Çatalhöyük. The ruins are wonders, spanning thousands of years from 7,500-6,400 BCE, built up layer upon layer of 18 levels. Çatalhöyük gives lots of evidence

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