Rome

figure of a dissected phallus-shaped vagina with latin text

De humani corporis fabrica

No, this isn’t what you think it is, readers: I know it *looks* like a penis, but really it’s not. Rather, what you see is a 16th-century woodcut illustration of the dissected genitals of a woman.   Er, if that’s not obvious to you, don’t worry. Commissioned for Andreus Vesalius’s famous _De humani corporis fabrica_

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a large stone with Latin letters carved into its surface

Pomerium Stone

I know this rock doesn’t look like much, but it’s actually really cool. It’s an Ancient Roman _pomerium_ stone, unearthed this past July of 2021, and is only the eleventh to be found.   The pomerium was a religious boundary marker for the city of Rome, and inside its borders certain activities were completely taboo.

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Roman Britain

This is a Late Roman mosaic of a peacock, probably from north Africa. When the Roman state withdrew its armies and state apparatus from Britain in the late fourth century, the peacocks that had dotted the wealthy estates of the Roman aristocracy went away as well. But we would be grossly mislead to imagine that

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stone panel of carved runic text and images

Franks Casket

You are looking at one of the most puzzled over artistic products of Early Medieval Britain — it is one panel of a rectangular container known as the Franks Casket. Made in 7th-century Northumbria in northern England, it has a fascinating hodgepodge of Germanic/Celtic/Ancient Roman influences, and scholars still debate the exact meanings of the

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close up image from an illuminated manuscript of two women in a burning building, one women hidden behind a rock, and a man with a sword standing to the side

“Dulcitius” and the Revival of Playwriting

After the Roman Empire collapsed in Western Europe, the literature that had flourished went into abeyance. For instance, the entire genre of playwriting just went out of existence. It was finally a tenth-century woman named Roswitha of Gandersheim who revived this art. Her plays today read charmingly clunky, like fourth-grade presentations. As with much about

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painting of saint euphrosyne in a medieval illuminated manuscript

Saint Euphrosyne the Monk-Virgin

This is a 14th-century painting of Saint Euphrosyne of Alexandria, who was one of the “monachoparthenoi”, a Medieval Greek term for “monk-virgins.” These were young women who disguised themselves as monks so that they could avoid marriage and live a life devoted to spiritual contemplation in male monasteries. It was a bit of a trend,

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Elagabalus

The Roman Emperor Elagabalus and Trans-History

The interwebs are all a-flutter this week over the pronoun identification of this Roman emperor, Elagabalus, né Marcus Aurelius Antoninus. The given name is confusing enough, being a pastiche of other famous Ancients, but historians are more confounded by other aspects of Elagabalus. As an article from last week’s _Guardian_ put it: “Was Roman emperor

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Roman Ruins at Province

In Province, France, some amazing ruins from Ancient Rome provide testimony to the wealth and engineering skills the empire’s elites commanded. The Pont-du-Gard still exists as part of the once-enormous aqueduct that brought water 50 kilometers away into the town of Nîmes. Built around 50 CE, it had to have an extremely low gradient to

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Romanesque Architecture in Village of Chambonas

Romanesque architecture (dating from about 1050 on) is my favorite style of them all. Romanesque buildings are rare, their interiors are shadowed and their stone heaviness is evocative and mysterious, and the sculptures are whimsical. The latter quality is clearly evident in a tiny church from the 13th century Ardeche village of Chambonas. This church,

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Cultural Exchange between Ancient Rome and Ancient India

Cultural Exchange between Ancient Rome and Ancient India

At first glance, these small statuettes seem to have little in common with each other. The one on the left is an Ancient Roman copy of Poseidon from the first or second century, originally made by the Greek artist Lysippos in the 3rd century BCE. The one on the right is a sandstone carving of

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Roman Sphinx

The New York City Metropolitan Museum of Art has a fantastic exhibition on the color of Ancient Greek statues right now. When we look at the statues of the Ancient Mediterranean today, we are familiar with the unadorned stone or bronze, like the sphinx from about 530 BCE featured here. However, a team of art

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Venetian Glass

The Italian Renaissance produced some of the greatest artwork of all time, but its glassware doesn’t get the spotlight that it should. It was valued throughout Europe and beyond from the late Middle Ages into the Early Modern period for its beauty and unique qualities. After the fall of the Roman Empire, glassmaking went into

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