This watercolor by Julian Peters, called “I Have Come to Consume the World,” illustrates beautifully a central moment in the Hindu epic, _The Bhagavad Gita_. The _Gita_ is the most famous sacred scripture in Hinduism, dating to perhaps the second century BCE. This particular point comes in the eleventh chapter, when the hero Arjuna begs […]
Julian Peters “I Have Come to Consume the World” Read More »
Here you see one of the finest sarcophagi of all time. Carved out of marble in the late second-century CE, the panel shown here despicts the God of wine, Dionysius, approaching the comatose maiden Ariadne, who lies in the lap of the God of death (Thanatos). The close arrangement and true-to-life proportions of the figures
Ancient Carved Sarcophagi Read More »
One of the frustrations of studying the distant past is knowing that the lenses of earlier times are ultimately inaccessible. We can take the religion of the Celts as a case in point. For centuries, these peoples left very little in the way of written sources, and so we must rely on the statues, inscriptions,
Celtic God Sucellus Read More »
People have claimed to see ghosts throughout recorded history. Stories about the “revanants,” or “those who return,” commonly state that these spirits startle the living, but they have not always been associated with evil forces. The association of ghosts with malevolence really got going in Ealy Modern Europe with the emergence of Protestant Christianity. Hitherto,
Lavater’s “Of Ghostes and Spirites Walking by Nyght” Read More »
These two lovebirds are Shiva and the Goddess Bhairavi, from an exquisite painting dating from the Mughal Dynasty in India, c. 1630-35. Today’s yoga practices are very anesthetized relative to the ways undertaken by yogis, particularly in the left-handed Tantric tradition. The two figures dwell in the charnel grounds – you can see the smoky
Shiva and the Goddess Bhairavi Read More »
“The Lord and Lady of the Charnel Grounds/Pal Durdak Yab Yum,” 15th-c painting. Tibetian Buddhist traditions took much from Ancient India . . . As with the two Hindu deities featured in yesterday’s post, the juxtaposition of enlightenment with death and male-female pairings stands out. Tibetian art is highly symbolic, and the male-female, or “Yab-Yum,”
The Lord and Lady of the Charnel Grounds Read More »
This nineteenth-century Tibetian painting is of a well-known deity in the Tantric Buddhist tradition, named Vajrayogini. Unlike some other Buddhist traditions which have neither Gods nor Goddesses, the Vajrayana Tantric tradition has both, as we can see here. Vajrayana Buddhism differs from many other religious traditions in its elevation of the female. The eleventh-century Tantric
Vajrayogini in Buddhist Tradition Read More »
The leader of all the Gods in Norse mythology, Odin, was routinely accompanied by his ravens named Huginn (“thought”) and Muninn (“mind”), appearing together in visual records as early as the sixth century The names of these birds called attention to Odin’s vast knowledge — the medieval Icelandic sources have Odin’s ravens fly all over
Odin and His Ravens Huginn and Muninn Read More »
What drives us to learn? Are people with unusual intellectual capabilities also predisposed to want to use them? The case of Maria Gaetana Agnesi (1718-1799) raises these questions, because she possessed a rarified mind in an era when women of her social class were expected to marry and attend to domestic affairs rather than academic
Maria Gaetana Agnesi and the Desire to Learn Read More »
Kellys Run Nature Preserve near Lancaster, Pennsylvania, is today part of a recently made ecological conservancy with beautiful views (see second photo) of the Susquehanna River amidst a great variety of forest life. The tree canopy and rugged terrain predominate the vista so much that you might never know earlier, human-driven economies had once existed
Lancaster, Pennsylvania’s Kelly’s Run Nature Preserve Read More »
“The Temptation of Eve” from the cathedral at Autun dates to about 1130. It was the first large-scale nude sculpture since Antiquity, and has become a hallmark of the “Renaissance of the Twelfth Century.” Although not as naturalistic as Ancient Roman sculptures could get, the Eve portrait gets kudos for representing the nude female body
“The Temptation of Eve” Read More »
Yesterday (November 5) in the U.S. was voting day, but in the U.K. many people lit bonfires and threw in effigies of “the Guy” for Guy Fawkes Day. In fact, our slang word “guy” comes from the person who became the most well-known architect of the Gunpowder Plot. In 1605, Guy Fawkes, a discontent Roman
Guy Fawkes and the Gunpowder Plot Read More »
In the Late Middle Ages, one chemical became a driving force in the economy, even forming the source of a cartel by the Papacy. Potash Alum [KAl (SO4)2] is a chemical compound that occurs naturally as crystals in some encrustacions (see second photo). It enables cell walls to harden – it can give a dill
Potash Alum and Medieval Italy’s Wool Industry Read More »
In our current social climate, it can seem that confidence in the scientific method and trust in the expertise of professionals are being challenged for the first time. Is it good news or bad, then, to realize that this is not the case? Strap in, ladies and gents, as I introduce you to _The Cellular
Cyrus Tweed’s “The Earth a Concave Sphere” Read More »
Sometimes Medieval art gets weirder the more you look at it. For instance, take these scenes of an animal fleeing from a hunter: the creature isn’t just turning his head back — he is actually biting off his testicles to throw them to his pursuer. Medieval people thought that beavers regularly did this (I know:
Medieval Beaver Hunting Read More »
You are looking at a late 3rd-c. CE Tauroctony, the sacred scene from the Roman Cult of Mithras. Frequently compared with the emerging religion of Christianity, Mithraism featured a savior deity who came down from the stars to save his adherents. Worshippers of this cult were all men, and they met in chambers that resembled
Tauroctony From The Roman Cult of Mithras Read More »
So this is a post about a children’s nursery rhyme. The burning of Protestants by “Bloody” Queen Mary (d. 1588) made a mark on the English, and some of this legacy still lingers today in the children’s nursery rhyme “Three Blind Mice.” Many folklorists believe the tune’s reference to a wife was actually code for
Historical Story of Children’s Nursery Rhyme “Three Blind Mice” Read More »
Over three thousand years ago, in the Fertile Crescent that stretched from the eastern Mediterranean seaboard to the Tigris and Euphrates Rivers, legends about horrific floods sent by the Gods to destroy humankind became prominent. For instance, in the literary works _Atrahasis_, the Bible, and _The Epic of Gilgamesh_, a single hero and his family
The Fertile Crescent and Attempts to Destroy Mankind Read More »
This 14th century miniature painting illustrates the Christian ceremony of Baptism. By this point in Western European history, Baptisms were performed on infants and included a ritual exorcism: it was thought that every human was born with sin inherently, and this evil had to be removed in order for the child to enter God’s grace.
14th Century Baptism Ceremonies and Ritual Exorcisms Read More »
As I mentioned in yesterday’s post, baptism for infants arose early in the Christian Middle Ages, and signaled to all witnesses that the child had been admitted into the grace of God. “Team God” was obviously the side everyone wanted to be on, but it raised a problem — when Christians opposed each other, whose
Emperor Constantine and His Nickname “Kopronymous” Read More »
