The Hindu Goddess Durga was the original demon-slayer. As this sandstone carving made about 750 CE (from India) shows, she has a multitude of weapons that help her take down her opponents – in this case, the buffalo-demon Mahishasuramardini. The legend goes that the buffalo demon – who represents ignorance – was destroying the whole […]
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The Ancient Mediterranean didn’t produce many women writers: society left little room for girls’ education and artistic creativity. One important exception was the Hellenistic poet Anyte (writing about 300 BCE), whose epitaphs survive as poignant markers of moments of grief felt by people now long-dead. Compared to her male contemporaries, Anyte’s subjects included more women
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Medieval Europeans lived far more isolated lives than we, and consequently, existed knowing there were vast tracts of lands and cultures to which they had no access. Tales about places necessarily depended on word-of-mouth, supplemented with rare but extremely popular travelogues. And so came to pass stories and legends about an unusual living thing, half-plant
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Here are the Indian deity Krishna and his beloved gopi (milkmaid) and constant companion Radha, playing the ancient Indian board game known as chaturanga. In Sanskrit, “chaturanga” means “four-limbs,” and in this game, the name refers to a millenia-old Indian military setup that included four branches: elephants, chariotry, cavalry, and infantry. Chaturanga was the predecessor
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The interpretation of art highly depends on context. This figurine from the late Classical Maya world (600-900CE), for instance, might appear to modern viewers as a seated woman with a pained expression: indeed, the figure has a hunched back. The statue might even evoke pity in us — but these impressions and sentiments were probably
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One of my favorite moments in literature comes from the Ancient Roman poet Ovid’s _Metamorphosis_, which weaves together all the myths of the Olympian deities into one narrative. Among the hundreds of tales Ovid relates is the story of the contest between the Goddess Minerva and the young maiden Arachne, whose talents for weaving exquisite
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This terracotta statue from Ancient Rome of a breastfeeding mother with four swaddled infants gets at the challenges of raising babies when resources were scarce and infant mortality high. Scholars have been debating the extent to which ordinary people practiced infanticide, but it was undertaken without criminal prosecution in the Ancient Roman world. After all,
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Sometimes the distant past seems exotic and remote, and sometimes it feels like today’s news headlines. The Ancient Greek myth of the prophetess Cassandra brings out both tendencies. Born into the Trojan royalty, beautiful Cassandra was cursed by the God Apollo after she changed her mind about sleeping with him. Although every utterance she predicted
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This watercolor by Julian Peters, called “I Have Come to Consume the World,” illustrates beautifully a central moment in the Hindu epic, _The Bhagavad Gita_. The _Gita_ is the most famous sacred scripture in Hinduism, dating to perhaps the second century BCE. This particular point comes in the eleventh chapter, when the hero Arjuna begs
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Here you see one of the finest sarcophagi of all time. Carved out of marble in the late second-century CE, the panel shown here despicts the God of wine, Dionysius, approaching the comatose maiden Ariadne, who lies in the lap of the God of death (Thanatos). The close arrangement and true-to-life proportions of the figures
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One of the frustrations of studying the distant past is knowing that the lenses of earlier times are ultimately inaccessible. We can take the religion of the Celts as a case in point. For centuries, these peoples left very little in the way of written sources, and so we must rely on the statues, inscriptions,
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“The Kiss of the Enchantress,” painted by English artist Isobel Lilian Gloag (c.a. 1890) depicts a monster from Ancient Greek mythology called a Lamia. Like so many stories about horrifying females, the Lamia’s backstory involves a grizzly subversion of the ideal woman — she destroys children rather than nurtures them, and seduces men in order
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This skull from Ancient Rome has a tiny coin glinting out of its mouth: the money is an obal, one of the most notorious grave-goods of the Ancient Mediterranean. The literature of Greeks and Romans commonly asserts that the obal was meant to pay the price for the dead to be carried over the river
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These two lovebirds are Shiva and the Goddess Bhairavi, from an exquisite painting dating from the Mughal Dynasty in India, c. 1630-35. Today’s yoga practices are very anesthetized relative to the ways undertaken by yogis, particularly in the left-handed Tantric tradition. The two figures dwell in the charnel grounds – you can see the smoky
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“The Lord and Lady of the Charnel Grounds/Pal Durdak Yab Yum,” 15th-c painting. Tibetian Buddhist traditions took much from Ancient India . . . As with the two Hindu deities featured in yesterday’s post, the juxtaposition of enlightenment with death and male-female pairings stands out. Tibetian art is highly symbolic, and the male-female, or “Yab-Yum,”
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This nineteenth-century Tibetian painting is of a well-known deity in the Tantric Buddhist tradition, named Vajrayogini. Unlike some other Buddhist traditions which have neither Gods nor Goddesses, the Vajrayana Tantric tradition has both, as we can see here. Vajrayana Buddhism differs from many other religious traditions in its elevation of the female. The eleventh-century Tantric
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The leader of all the Gods in Norse mythology, Odin, was routinely accompanied by his ravens named Huginn (“thought”) and Muninn (“mind”), appearing together in visual records as early as the sixth century The names of these birds called attention to Odin’s vast knowledge — the medieval Icelandic sources have Odin’s ravens fly all over
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Painted on a silk scroll by the 18th-century Japanese artist Maruyama Okyo, this image is one of Japan’s most well-known artistic creations. _The Ghost of Oyuki_, as it is known, was painted when the artist Okyo awoke from his sleep to see the ghost, or _yurei_, of his deceased lover. She had pale skin, disheveled
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Ghost stories have been an important part of China’s culture for centuries. As shown from this 14th-century Yuan Dynasty tomb, beliefs about ghosts can be seen in the visual arts, as well as in written sources. One of the most prominent types of undead spirits were the “Jiang Shi,” which were zombie-like reanimated beings. The
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The scratchings you see on this picture are not my students’ writings, which makes me glad for two reasons. First, they are written in Ancient Romano-British Latin. Second, the lead tablet shown here records a ritualistic curse — it is a type of item found widespread in the Ancient world. 130 examples alone, dating from
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