Medieval Europeans were well aware of the balanced network of living creatures that populated their existence, but the great thinkers of the Late Middle Ages (about 1050-1500) were less interested in writing about the web of life than they were about trying to demonstrate the way the natural world pointed to spiritual truths. The Medieval […]
Medieval Bestiaries Read More »
Medieval culture repeatedly drew connections between animals and moralistic qualities. The pig — an animal ubiquitously eaten by Christians throughout the Middle Ages — developed an unusually bad reputation. This detail from a 15th-century prayer book shows a woman stroking a pig. While the overall image looks benign — the larger painting is all about
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This elephant ivory plaque from the Cathedral of Salerno dating to 1084 shows an image of God creating the animals. Early Medieval ideas about the place of animals in nature were shaped by Christianity. On the one hand, following Augustine (d 430) et al., who drew from the Genesis story, intellectuals thought that the animal
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“Born with a silver spoon in one’s mouth” is a common expression that means your family is rich. The origins of this saying go a long way back, and are connected to a tradition of giving silver spoons to infants getting baptized into the Christian faith. Wiktionary traces the first recorded statement to a 1721
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From the 1500s through the middle of the 1600s, near constant warfare beleagured Europe, taking on new horrifying expressions. This picture shows one moment where the fighting got so bad that people put aside their differences to ally themselves with one another in order to have a break from the violence — a brief episode
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This painting is breathtaking — especially when you consider that an artist painted the original in about 1535 — this is a copy from the first part of the 1600s. Entitled “Vädersolstavlan,” the Swedish name translates into “The Sun-Dog Painting” and may be the first artistic rendering of this celestial phenomenon. Sun-dogs happen in the
Sun-dogs, Astrology, and Apocalyptic Thought in the Italian Renaissance Read More »
There is a very long history of apocalyptic thinking in the history of Christianity, and one particularly strident episode came in the wake of the Protestant Reformation — specifically with regards to Martin Luther, who truly believed the End Times were imminent. Interpreted through Luther’s lens of European religious trends in the early 16th century,
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Giants appear in many ancient mythologies, and the Bible is no different in this way. One specific origin story for Biblical giants comes from the book of Genesis, which explains how the nephilim came about (6:1-4): “When humankind began to multiply on the face of the earth and daughters were born to them, the sons
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Here’s the Devil from the movie _Spawn_ (1997), and he looks a lot like the demon Mavet (Canaanite Mot), who personified death in ancient Judaism. The role of demons in Jewish and Christian history changed during Biblical times. In the Ancient Mesopotamian world, the _daimons_ were originally not as evil as their eventual manifestations —
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Here is poet and painter William Blake’s “Angel of the Revelation”, illustrated between 1803-1805, and you might notice the giant, mostly naked (it was the Victoriano age) figure does not have wings. And this is because Biblical angels didn’t. (In the Abrahamic tradition, the winged Seraphim and Cherubim eventually were considered angels, but in the
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The Seraphim were terrifying Biblical monsters, even if contemporary Christianity imagines them as more benign angelic creatures. They appear in the Hebrew Bible (Christian Old Testament) in several places, and although English translations of the Hebrew “Seraphim” (singular “Seraph”) often appear only in the vision of the prophet Isaiah, in fact they are mentioned elsewhere
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One of the more bizarre expressions of Christianity comes from the Early Medieval Carolingian world. It is a poem we call “The Heiland,” probably written in the courts of Louis the Pious or Louis the German in the 800s to an Old Saxon-speaking audience. The Heiland is an epic poem (much longer than _Beowulf_) telling
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The Catholic Church had a tremendous influence in Medieval society. This did not mean that folks didn’t write about sex, however. These two figures from a 14th-century manuscript show a monk and a nun canoodling with each other. They weren’t supposed to be doing that, btw. The writings about sex undertaken by Constantinus Africanus (died
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My daughter Gabby and I got lucky enough to visit France this summer, and found this jewel of a Gothic cathedral — Saint-Etienne Cathedral of Bourges — to be stunning. Work started on it in the last years of the 12th century and mostly finished in 1230, making Saint-Etienne highly unusual in its architecture. The
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Notre-Dame in Thines, France, is a jewel of a Romanesque church that I will definitely incorporate in my Medieval class this coming fall. It sits high up the hillside of Thines. Cars can’t go into many of the town’s tiny streets, so we walked along a dirt trail for about a kilometer to see it.
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From 1309-1370, the central office of the papacy was not Rome, but the French city of Avignon. Petrarch bitingly referred to this situation as “the Babylonian captivity” of the papacy because he thought it was such a displacement. Although the Catholic Church was extremely powerful by this point of the Middle Ages, the King of
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Romanesque architecture (dating from about 1050 on) is my favorite style of them all. Romanesque buildings are rare, their interiors are shadowed and their stone heaviness is evocative and mysterious, and the sculptures are whimsical. The latter quality is clearly evident in a tiny church from the 13th century Ardeche village of Chambonas. This church,
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Miracle stories from the early Middle Ages include some accounts of saints who could successfully induce abortions. One such legend is from a seventh-century book of the life and miracles of the Irish St. Brigid of Kildare, who was said to have died around 525 CE. In the story, a woman had sex for pleasure
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What the heck. So this is an illustration of a pope (Innocent X, to be exact), who is having his testicles examined by a cardinal to make darn tootin’ certain that the newly-selected leader of Christendom is a man. Made in 1645, this print testifies to a long-lasting legend that all popes had to undergo
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The year was 1457, and the place the town of Sévigny in France. A five-year-old boy had been brutally killed, mauled to death, and the community sought justice. Turning to the legal system, a civil case was brought against the killer, and despite the horrific nature of the death of young Jehan Martin, court officials
