art

Ancient Romans and Animal Brutality

Ancient Romans were so used to human brutality and violence that they took its existence for granted. Whether the violence was directed by slave owners to their human property, on display at the regular games and gladiator matches, or observed at the very public slaughtering of animals for religious sacrificial purposes, it was normalized.   […]

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Saint Agatha of Sicily

This post is three days past the memorial day of the person featured here, Saint Agatha of Sicily. She’s one of my favorite regulars in the history of Christian artwork — right along the arrows all over St Sebastian and St Lucy with her eyeballs or Catherine of Alexandria with her wheel or John with

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stone panel of carved runic text and images

Franks Casket

You are looking at one of the most puzzled over artistic products of Early Medieval Britain — it is one panel of a rectangular container known as the Franks Casket. Made in 7th-century Northumbria in northern England, it has a fascinating hodgepodge of Germanic/Celtic/Ancient Roman influences, and scholars still debate the exact meanings of the

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Indigenous Burial Mounds

This extraordinary scene from a 348-long muslin painting called “Panorama of the Monumental Grandeur of the Mississippi Valley” was done by an American artist named John J. Egan in 1850. Looking carefully at the details, you can see that white Americans are using their black slaves to open up an American Indian burial mound. The

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black and white photo of a person in traditional dress on the back of a horse

The Hutsuls

The Carpathian Mountains in Western Ukraine are some of the traditional homelands of the Hutsul peoples. Although their roots extend back hundreds of years, the term “Hutsul” first appears in written sources in 1816, when it was used by outsiders — in fact, the term’s etymology, although uncertain, might derive from the critical words for

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painted image of a man with long hair in a red coat inside a forest

Modern Rendition of The Hutsuls

This painting, from Ukrainian artist “AveOko”, is called “Mofar (3)”, and is a modern rendition of a figure from the Hutsul culture. The Hutsuls, a mountain- and- forest- dwelling people in Western Ukraine, consider mofars to be a type of shamen, using herbalism and folk magic. Mofars are considered neither evil nor good per se,

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M. C. Escher's painting of a metal mobius strip with square holes and ants crawling on it

M.C. Escher and the Möbius Strip

M.C. Escher was an amazing surrealist artist whose works were frequently inspired by mathematics. Here is his 1963 work, “Moebius Strip II,” which shows ants crawling along the single-surface loop.   First discovered by astronomer and mathematician August Möbius in 1858 (although it had been described in unpublished literature a few years prior by a

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Egyptian stone relief of multiple male figures

The Sea Peoples

The grumpy faces you see here belong to invaders captured by the Pharaoh Ramses III (about 1186-1154 BCE). Many scholars have interpreted these men as the infamous “Sea Peoples,” about whom little is known for certain, but to whom historians have attributed the collapse of many civilizations in the Bronze Age.   The Sea Peoples

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a close up of an illuminated manuscript. within a circle, three figures stand. on the edge there are at least five male bust drawings

The Witch of Endor

This is a late 12th-century illustration of “the Witch of Endor,” a prophetess from the Bible who could raise the spirits of the dead and talk to them. Artists have enjoyed illustrating her almost as much as religious people have enjoyed debating about her powers.   In the Hebrew Bible/Old Testament First Book of Samuel

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