Scientific genome analysis has shaped history once again with a recent study published in the science journal _Nature Communications_. This painting of death strangling a victim of the plague gets at the horror caused by the infamous Black Death, a pandemic that wiped out a third of Europe’s population in the 14th century. By studying […]
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This gladiator mural was unveiled just last week from the Ancient Roman city of Pompeii. The unusually graphic depiction of a bleeding fighter — holding his thumb up, a gesture to signal for mercy — was found by archaeologists in a building thought to have been a bar and brothel. Since we know that gladiators
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“The Kiss of the Enchantress,” painted by English artist Isobel Lilian Gloag (c.a. 1890) depicts a monster from Ancient Greek mythology called a Lamia. Like so many stories about horrifying females, the Lamia’s backstory involves a grizzly subversion of the ideal woman — she destroys children rather than nurtures them, and seduces men in order
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So this lady looks unusually serene, especially in light of the fact that she’s using the blood of her own severed foot (!!!!) to write a letter to her husband. This is the heroine Hypermnestra, and in the Roman poet Ovid’s rendition of her tale, she pleads with her husband to come save her from
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These two lovebirds are Shiva and the Goddess Bhairavi, from an exquisite painting dating from the Mughal Dynasty in India, c. 1630-35. Today’s yoga practices are very anesthetized relative to the ways undertaken by yogis, particularly in the left-handed Tantric tradition. The two figures dwell in the charnel grounds – you can see the smoky
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“The Lord and Lady of the Charnel Grounds/Pal Durdak Yab Yum,” 15th-c painting. Tibetian Buddhist traditions took much from Ancient India . . . As with the two Hindu deities featured in yesterday’s post, the juxtaposition of enlightenment with death and male-female pairings stands out. Tibetian art is highly symbolic, and the male-female, or “Yab-Yum,”
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This nineteenth-century Tibetian painting is of a well-known deity in the Tantric Buddhist tradition, named Vajrayogini. Unlike some other Buddhist traditions which have neither Gods nor Goddesses, the Vajrayana Tantric tradition has both, as we can see here. Vajrayana Buddhism differs from many other religious traditions in its elevation of the female. The eleventh-century Tantric
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Painted on a silk scroll by the 18th-century Japanese artist Maruyama Okyo, this image is one of Japan’s most well-known artistic creations. _The Ghost of Oyuki_, as it is known, was painted when the artist Okyo awoke from his sleep to see the ghost, or _yurei_, of his deceased lover. She had pale skin, disheveled
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Ghost stories have been an important part of China’s culture for centuries. As shown from this 14th-century Yuan Dynasty tomb, beliefs about ghosts can be seen in the visual arts, as well as in written sources. One of the most prominent types of undead spirits were the “Jiang Shi,” which were zombie-like reanimated beings. The
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“The Temptation of Eve” from the cathedral at Autun dates to about 1130. It was the first large-scale nude sculpture since Antiquity, and has become a hallmark of the “Renaissance of the Twelfth Century.” Although not as naturalistic as Ancient Roman sculptures could get, the Eve portrait gets kudos for representing the nude female body
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Dude underwear in the Middle Ages is something we actually know about. Commonly made out of linen (from the flax plant – but that’s material (*groan*) for another day), men wore versions of undershirts and boxers that tended to be loose and long (knee-length), but tied or tucked as the situation warranted. The undergarments were
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Here you see an illustration of one of the most important medical textbooks in history: Avicenna’s _Canon of Medicine_. Written by 1025 CE, the _Canon_ represented a pinnacle of scientific progress in the Golden Age of Islam. Avicenna synthesized knowledge from the Ancient Greeks and Romans, Ancient and Medieval India, China, and Persian Muslim traditions
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The disembodied eyeballs you see on these two images represent the “eye of providence” or “the all-seeing eye” in art history. Floating eyes have made this appearance in visual media as far back as the Ancient Egyptian eye of Ra, but the Late Middle Ages in Europe saw a re-invigorization of the symbol, where it
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The most important work on magic in Medieval Europe has a title that sounds like a Pokemon: _Picatrix_. Written in Arabic in the melting-pot culture of Islamic Spain, _Picatrix_ is a bewildering text that draws from Greek, Egyptian, Indian, Islamic, and other traditions. It is a hot mess organizationally, but three big emphases are the
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Sometimes Medieval art gets weirder the more you look at it. For instance, take these scenes of an animal fleeing from a hunter: the creature isn’t just turning his head back — he is actually biting off his testicles to throw them to his pursuer. Medieval people thought that beavers regularly did this (I know:
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You are looking at a late 3rd-c. CE Tauroctony, the sacred scene from the Roman Cult of Mithras. Frequently compared with the emerging religion of Christianity, Mithraism featured a savior deity who came down from the stars to save his adherents. Worshippers of this cult were all men, and they met in chambers that resembled
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The “Ship of Theseus” is a philosophical thought experiment dating from the Ancient Greeks, and if you give it a minute, it might blow your mind. Writers such as the first-century essayist Plutarch construed the puzzle like this: imagine that the famed hero Theseus brought his ship home safely, and it was preserved for the
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This is an ink portrait of the famed Chinese demon-hunter Zhong Kui. It was done by the Shunzhi Emperor Fulin in the mid 17th-century, and the fact that a Chinese ruler would find such a hero compelling enough to paint testifies to the importance of Zhong Kui’s legends. In myths stretching back as far as
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This 14th century miniature painting illustrates the Christian ceremony of Baptism. By this point in Western European history, Baptisms were performed on infants and included a ritual exorcism: it was thought that every human was born with sin inherently, and this evil had to be removed in order for the child to enter God’s grace.
14th Century Baptism Ceremonies and Ritual Exorcisms Read More »
As I mentioned in yesterday’s post, baptism for infants arose early in the Christian Middle Ages, and signaled to all witnesses that the child had been admitted into the grace of God. “Team God” was obviously the side everyone wanted to be on, but it raised a problem — when Christians opposed each other, whose
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