art

Gladiator Blood and Epilepsy

This Romano-British mosaic of combating gladiators speaks to the tradition of these bloody contests. It turns out, they were sanguineous in multiple ways — not only with the frequent slayings of the losers, but also in the way gladiator blood was revered for medicinal purposes.First appearing in the records about 260 BCE, gladiator fights originally […]

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“Green Elf Cup” Fungus on Appalachian Trail

This is a close-up picture that I took earlier this month near the Appalachian Trail in Central Pennsylvania of a very tiny fungus with an adorable moniker and a long pedigree for human use. Called “green elfcup” or “green wood cup,” the technical name of this mushroom is “Chloriciboria aeruginascens,” and although it is a

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The Battle on the Bridge

In the second century of the Common Era, China’s Han Dynasty oversaw an unusually long period of peace and prosperity. Nonetheless, military conflicts punctuated the era, and often the elite aristocratic families were involved. The Wu Family Shrines document such events, and featured prominently in one of the stone chambers there, amidst many other bas-relief

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History of the Cornucopia

In the United States today is the Thanksgiving holiday, and a common symbol (besides a turkey cross-dressing as a Pilgrim) is the cornucopia, or “Horn of Plenty”. This sounds like a magical item from the modern gaming world, but it goes back to Ancient Greek and Roman times.   Here, for instance, is a fourth-century

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The Mattress Museum of Contemporary Art

The Mattress Museum of Contemporary art was started in Pittsburgh in 1977, when an old mattress factory was turned into an unusually immersive art experience. The rooms have installations that are intended to be viewed in their particular locations, and the various tableaus and rooms are a mixture of permanent and artist-in-residence exhibits.   The

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painting of a nude woman lying down, she is leaning on a skull and her hand rests on a jar

Eva Prima Pandora

This painting documents one of the oldest stories ever recorded, and it’s all about how evil entered the world. And the blame goes straight onto women, and frankly it’s exhausting.   _Eva Prima Pandora_, or “Eve the First Pandora”, done by Jean Cousins around 1550, conflates the stories of the Ancient Greek first mortal woman,

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a piece of ancient greek pottery depicting an older disabled man

The Bodies of Ancient Greeks

The Ancient Greek art that most of us know features able-bodied people up-front: athletes with six-pack abs and fit and trim muscular physiques. But these images skew what we know to be the reality for many Ancient Greeks, and recent work by Dr. Debby Sneed aims to show that disabled people were not only commonplace,

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figure of a dissected phallus-shaped vagina with latin text

De humani corporis fabrica

No, this isn’t what you think it is, readers: I know it *looks* like a penis, but really it’s not. Rather, what you see is a 16th-century woodcut illustration of the dissected genitals of a woman.   Er, if that’s not obvious to you, don’t worry. Commissioned for Andreus Vesalius’s famous _De humani corporis fabrica_

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renaissance self portrait of albrecht durer

Communication Through Portraiture

Non-verbal communication is a scholarly subject usually studied by academics looking at modern human behavior. Physical gestures of course existed in past times too, but often there is little written evidence — whole catalogues of affective conversations that would have been instantly recognizable to anyone are closed off to historians, because they were so rarely

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stone carving of a naked woman

Sheela-Na-Gig

This is a Sheela-na-gig: a type of statue or carving found on European Christian buildings from the Central Middle Ages showing a naked woman overtly displaying her vulva. Whatever messages they were intended to make — fertility blessing, pagan remnant, or grotesque ridicule — contrasted with the high value of female virginity promoted by the

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Roman Britain

This is a Late Roman mosaic of a peacock, probably from north Africa. When the Roman state withdrew its armies and state apparatus from Britain in the late fourth century, the peacocks that had dotted the wealthy estates of the Roman aristocracy went away as well. But we would be grossly mislead to imagine that

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