Tomorrow, July 20, 2019, will mark the 50th anniversary of the landing of Apollo 11 on the moon: the module of the spacecraft called _Eagle_ settled on the _Sea of Tranquility_, a relatively smooth, basalt area of its surface. The poetic name Mare Tranquilitatis was coined by two astonomers: the first was the 17th-century scientist […]
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The concentration of human-created beauty might be no greater than in Florence, where works by the greatest artists of the Italian Renaissance overflow. Across the centuries, travelers have made their way to immerse themselves in the visual spectacle that abounds. So overpowering was the sense of beauty to the French author Marie-Henri Beyle (d. 1842),
Marie-Henri Beyle and the Human-Created Beauty of Florence Read More »
Sheet music written by Franz Schubert in 1826, called the “Rondo Brilliant.” It was designed to showcase the vituosity of a specific violinist Schubert worked with, and was the only piece he wrote for violin and piano published in the artist’s lifetime. Schubert, who had many loves but suffered from bouts of depression throughout his
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Five thousand years ago, ancient Middle Eastern Mesopotamian civilizations developed the written word, and this invention galvanized other areas of culture such as literature and the visual arts. And so we see seals — such as the one here made of shell from the Akkadian period (2334-2154 BCE) — which often showcased religious and political
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Original printing of _Leviathan_, published in 1651 and written by the English political philosopher Thomas Hobbes (d. 1679). This classic pronouncement of human nature as basically selfish, competitive, and violent emerged during a period of civil war and corresponding endemic violence in Hobbes’ homeland. For him, humanity was doomed to a life that was “nasty,
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The Musee Horta (1898) embodies the style of Art Nouveau of the late 19th century. Known for its attention to beauty and incorporation of nature, Victor Horta designed this building in Brussels originally as his home. You can see the pronounced use of glass and steel – typical elements of his construction. The fluctuating movement
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Across the millennia, one of our common traits is the desire to feel special: this has been played out in terms of aristocratic status, patriarchal markers, race, and middle-school politics. Finding a solid boundary between “human” and “non-human” is yet another instance of seeking specialness. However, both scientists and historians are making this boundary increasingly
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Medieval maps did not share modern objectives with cartography: the _mappae mundi_ (“maps of the world”) were not designed to find one’s way with landmass shown to scale, but rather to convey a schematic idea of the major parts of creation. The map here (Bartholomeus Anglicus, _De propriatatibus rerum_, Ahun 1480 (BnF@gallicabnf, Francis 9140, fol
Medieval T-O Maps – “De Propriatatibus Rerum” Read More »
The interpretation of art highly depends on context. This figurine from the late Classical Maya world (600-900CE), for instance, might appear to modern viewers as a seated woman with a pained expression: indeed, the figure has a hunched back. The statue might even evoke pity in us — but these impressions and sentiments were probably
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The odd-shaped object you are looking at is none other than the Liver of Piacenza. This slightly three-dimensional object d’arte was fashioned by Etruscans living in the second century BCE. The main disk represents a sheep’s liver, with the three protrusions standing for the gall bladder and two other parts of a liver (called the
The Liver of Piacenza and Haruspicy Read More »
The exquisite sculpture in the first image you see is the “Lely Venus,” a second-century Roman copy of a Hellenistic original. The second photo is a phallus carved into stone, pointing the way to a brothel in the Ancient city of Pompeii. What makes the first a work of beauty, and the second a vulgarity?
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“The Priestess of Delphi,” by John Collier (1891). This haunting painting of one of the famous oracles from Ancient Greece – known as the Sibyls – is reflective of the lack of certainty modern scholars have about what specific prophecies the oracles pronounced. We know that the Romans truly believed that one of the Sibyls
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Suicide has been met with approbation, criticism, horror, or distain, depending on the culture and circumstance of the act. In the Ancient Mediterranean world, elite people who were condemned to death by the state – or facing eminent death by political opponents – thought of suicide as a more honorable path. Pictured here is “Sofonisba
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Although popular culture promotes an idea that the belief in magic flourished mainly in the Medieval European past, maybe declining with the onset of the Scientific Revolution of the 17th-century, this is not necessarily the case. As Owen Davies, author of _Grimoires: A History of Magic Books_, relays, the so-called “Modern” era of Western history
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Cosplay is not new: dressing up in character has a long legacy, and has been considered appropriate in different occasions. Whereas in current American culture, you go to special conferences or wait for Halloween, in seventeenth-century Europe you would try to hire a fancy portrait artist and make a subtle statement about your personality and
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This terracotta statue from Ancient Rome of a breastfeeding mother with four swaddled infants gets at the challenges of raising babies when resources were scarce and infant mortality high. Scholars have been debating the extent to which ordinary people practiced infanticide, but it was undertaken without criminal prosecution in the Ancient Roman world. After all,
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Sometimes the distant past seems exotic and remote, and sometimes it feels like today’s news headlines. The Ancient Greek myth of the prophetess Cassandra brings out both tendencies. Born into the Trojan royalty, beautiful Cassandra was cursed by the God Apollo after she changed her mind about sleeping with him. Although every utterance she predicted
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This watercolor by Julian Peters, called “I Have Come to Consume the World,” illustrates beautifully a central moment in the Hindu epic, _The Bhagavad Gita_. The _Gita_ is the most famous sacred scripture in Hinduism, dating to perhaps the second century BCE. This particular point comes in the eleventh chapter, when the hero Arjuna begs
Julian Peters “I Have Come to Consume the World” Read More »
Here you see one of the finest sarcophagi of all time. Carved out of marble in the late second-century CE, the panel shown here despicts the God of wine, Dionysius, approaching the comatose maiden Ariadne, who lies in the lap of the God of death (Thanatos). The close arrangement and true-to-life proportions of the figures
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One of the frustrations of studying the distant past is knowing that the lenses of earlier times are ultimately inaccessible. We can take the religion of the Celts as a case in point. For centuries, these peoples left very little in the way of written sources, and so we must rely on the statues, inscriptions,
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