This is a near life-size wooden sculpture of the birth of the Virgin Mary with her mother Saint Anne. It comes from a church called Ebern in southern Germany and dates to around 1480. The sweetness of this pair really stands out, especially Anne’s exhausted but happy expression as she rests after giving birth, one […]
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Hieronymous Bosch, “Third Day of Creation,” (c. 1490-1510). Bosch was a proto-surrealist oil painter from the Medieval Netherlands with a wonderfully twisted imagination. This painting represents the world as he imagined it before the creation of animals. Here, the color scheme (typical for the exterior of tryptichs, which this was) brings out the drabness of
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This wooden base for a small statue features Eve and Lilith, two primal females in Christian mythology. These characters also underlined negative assumptions about women’s basic nature. Eve on the left shows weakness and over-curiosity by consuming the fruit forbidden to her. Lilith, thought to be Adam’s first wife, shows disobedience perhaps arising from her
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View of the Pallisades from the Medieval Cloisters at the New York Metropolitan Museum, where over 200 million years ago the supercontinent Pangea ripped apart.
The dome above the mirhab in the Mosque-Cathedral of Cordova, 965 CE. The octagonal-faceted dome is worked with gold and crafted with some of the finest mosaic tile-work in the world. The mirhab oriented Spanish Muslims to the direction of prayer. The fact that it was funded with gold from the Christian Byzantine Empire illustrates
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This illustration from a French _Book of Hours_ dating c. 1475 depicts a bleeding Eucharist wafer that medieval people considered miraculous. It even has a name: “the Sacred Bleeding Host of Dijon.” Medieval people were spellbound by miraculous bleeding communion wafers such as this one, but there was an ugly underside to this devotion: it
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This 10th c. sandstone relief depicts the Hindu goddess Kali – the Goddess of time, destruction, sexuality, salvation, and protection. She has a horrifying image – bloody fangs, belt of human hands, necklace of skulls, with eyes bright red and skin blue or black. This appearance would have represented a completely uncontained female, something wholly
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The Knights of the Round Table, part of the adventurers of the Medieval Arthurian legends, included the nobleman featured here in this manuscript from about 1350. He was courageous, he helped his mother gain political power, and he was a bad-ass fighter. And also, Sir Morien was black. King Arthur et al were not real,
This is a pretty good artistic rendering of a tapestry so damaged that I didn’t bother posting a photo of it here. And although it’s hard to see, if you look just right you’ll make out a bunch of human dead (probably) bodies hanging from the branches. You can see their limbs dangling and their
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“PetThe political intrigues and love affair of Mark Antony and Cleopatra have captured the imaginations of generations, even before the famous couple’s deaths in 30 BCE in their war against the future Emperor Augustus of Rome. This statue is the only known image of their twin children, Cleopatra Selene and Alexander Helios. At least, that’s
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Slide from a lecture by Dr. Robert Miller from Catholic University, who spoke this evening at Shippensburg about his new book on dragons in Ancient Near Eastern history. The dragon was often symbolic of chaos, and associated with the sea – appropriate because many cultures adapting this myth were not seafaring, and to them oceans
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Anglo-saxon manuscripts, like the 8th century Vespasian Psalter pictured here, frequently used the color yellow. It was reminiscent of gold, but much less expensive than gold leaf. And gold was a favorite of these Early Medieval people. Anglo-Saxon writers liked to talk about the beauty of the way gold flickered and glimmered in the firelight.
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Magical incantation bowl written in Jewish Aramaic. Bowls like these were designed as protective magic against demons.
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They don’t look sexy, but this is the hottest medieval couple in medieval history. Peter Abelard (in his 30s) seduced the young (17) and brilliant Heloise by deliberately making her his private student. They had a physically, intellectually, and emotionally intense affair before Heloise’s uncle had Peter castrated in revenge for the seduction.
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So here’s a provocative set of evidence from our pre-historic past: hand stencils. Among other questions, they raise a debate about whether the first artists were mostly women. The painted shadows that silhouette the hands you see in this image were frequent subjects of our paleolithic and neolithic ancestors (40,000-1,000 BCE). In 2013, archaeologist Dean
A reconstruction of the Jerusalem palace of King Herod the Great (d. 4 BCE). Only ruins remain, but the opulance and decor of the palace/fortress meant to many contemporary Jews that Herod was a Roman accomodationist. This had many Jewish groups – the Pharisees, the Essenes, and the Zealots, for example, upset.
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Sheila na gigs are medieval sculptures of females holding exaggerated vulva. The highest concentration are found in Ireland, where they were popular in the 12th century – perhaps to ward off evil. You are welcome.
The image you see here conjures up the Biblical Satan, but it originates from a 19th-century Christian socialist and has everything to do with a niche occultic revival rather than Biblical ideas about the devil and dark forces. In fact, the illustrator, Eliphas Levi, believed that all religions came from an ancient primitive source, and
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This is the _Medusa Rondanini_, an Ancient Roman copy of a Classical Greek. It is one of the most famous ancient sculptures to show Medusa as lovely — before the 5th century BCE, artists depicted her as horrifying. Regardless, her image was often used to ward off ill fortune.
Many scenes from the Bayeux Tapestry – commissioned shortly after the conquest of England by the Normans in 1066 – are familiar, but some of my favorite elements are ones that need decoding. For example, many places show left hands gesturing, seeming to indicate something awry or sinister (sinestra is Latin for left). The English
