This is a post about a legacy of surrealistic and evocative art that originated from a very old book and a nearly-as-old garden, which influenced a philosopher who lived hundreds of years later and an artist living even later still. Might I present to you, dear readers, the Hypnerotomachia Poliphili? The famous printer Aldus Manutius […]
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Check out the exhibit “Empresses of China’s Forbidden City: 1644-1912,” at the Arthur K. Sackler Gallery, part of the Smithsonian in Washington, D.C.. This epic portrait of the last dowager empress, Cixi, was commissioned by her. I love the fingernails!
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A gargoyle, from Notre Dame (these famed water spouts were only installed in the 1800s). The term comes from old French “gargouille” meaning “throat” but also the gurgling sound made by liquid in the throat. This of course refers to the rain-spout functionality of the gargoyle. But it also pertains to a medieval legend about
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This finial crowning the top of an elaborately carved tusk from 19th-century Kongo depicts a nursing mother. A skilled artisan would have made the tusk as part of a commissioning by a community leader. The few women depicted on this tusk form a striking counter-narrative to most of the images. One woman carried a small
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This image of Pope Benedict IX (d. 1056) does not do his reputation justice. He was put in power by a male relative at the young age of 20, and lived such an immoral life that he was forced to abdicate twice. He managed to worm his way back into power, serving as pope for
“The Childe Rowland to the Dark Tower Came,” an 1859 painting by Thomas Mortan, illustrates a famous scene from an old Scottish fairy-tale, in which appears one of my favorite words: widdershins. “Widdershins” means to travel counter-clockwise, or in the northern hemisphere, in the path opposite the sun. It referred to a leftward-proceeding direction, and
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This painting by al-Qazwini (1203-1283) shows a monster from the Gog and Magog legend. The Hebrew Bible, the New Testament, and the Qur’an each mention Gog and Magog as either monstrous people or wild places. Their stories evolved, but usually referred to a threatening, beastly pseudo-human group that threatened a righteous (usually Godly) and civilized
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The Mongolian invasions of Japan were famously brought to an end in 1281 when a tumultuous storm destroyed the entire Mongolian fleet. But it was not just the kamikaze or “divine winds” that destroyed the invaders. The Japanese samurai showed a surprising flexibility in adapting their fighting style, working together more than they had ever
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This image shows the creation of Pandora, subject of an Ancient Greek myth. Although Pandora’s curiosity was said to have explained the source of all evils for mankind, I think the story does a better job showing how misogynist the Ancient Greek world was. In Hesiod’s work (7th c. BCE), the poet tells how Zeus
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Statue made of Birchwood of the Virgin Mary, with glass eyes. Autun region of France, c. 1130-40.
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If you wanted to feel special in the 14th c., you might have tried to get ahold of objects like these: reliquaries were sacred containers of the holy bodily remains of Europe’s medieval superheroes, the Christian saints. This shoe (suggesting that inside was part of a foot) depicts Saint Margaret just having busted her way
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Behold the Lycurgus cup, from the 4th c. Late Roman Empire. It is the most exquisite example of a glass-making technique used the the Romans to produce a color-changing effect. Viewed straight-on, the cup is green, but viewed with backlighting it appears red – the technique involved blending the glass with extremely fine-ground particles of
This is a near life-size wooden sculpture of the birth of the Virgin Mary with her mother Saint Anne. It comes from a church called Ebern in southern Germany and dates to around 1480. The sweetness of this pair really stands out, especially Anne’s exhausted but happy expression as she rests after giving birth, one
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Hieronymous Bosch, “Third Day of Creation,” (c. 1490-1510). Bosch was a proto-surrealist oil painter from the Medieval Netherlands with a wonderfully twisted imagination. This painting represents the world as he imagined it before the creation of animals. Here, the color scheme (typical for the exterior of tryptichs, which this was) brings out the drabness of
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This wooden base for a small statue features Eve and Lilith, two primal females in Christian mythology. These characters also underlined negative assumptions about women’s basic nature. Eve on the left shows weakness and over-curiosity by consuming the fruit forbidden to her. Lilith, thought to be Adam’s first wife, shows disobedience perhaps arising from her
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View of the Pallisades from the Medieval Cloisters at the New York Metropolitan Museum, where over 200 million years ago the supercontinent Pangea ripped apart.
The dome above the mirhab in the Mosque-Cathedral of Cordova, 965 CE. The octagonal-faceted dome is worked with gold and crafted with some of the finest mosaic tile-work in the world. The mirhab oriented Spanish Muslims to the direction of prayer. The fact that it was funded with gold from the Christian Byzantine Empire illustrates
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This illustration from a French _Book of Hours_ dating c. 1475 depicts a bleeding Eucharist wafer that medieval people considered miraculous. It even has a name: “the Sacred Bleeding Host of Dijon.” Medieval people were spellbound by miraculous bleeding communion wafers such as this one, but there was an ugly underside to this devotion: it
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This 10th c. sandstone relief depicts the Hindu goddess Kali – the Goddess of time, destruction, sexuality, salvation, and protection. She has a horrifying image – bloody fangs, belt of human hands, necklace of skulls, with eyes bright red and skin blue or black. This appearance would have represented a completely uncontained female, something wholly
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The Knights of the Round Table, part of the adventurers of the Medieval Arthurian legends, included the nobleman featured here in this manuscript from about 1350. He was courageous, he helped his mother gain political power, and he was a bad-ass fighter. And also, Sir Morien was black. King Arthur et al were not real,
