Africa, Asia and South Asia

colored wood block print of the character kasane

Kasane the Vengeful “Noh” Spirit

Washington DC’s Sackler Gallery has an exhibit right now called “Staging the Supernatural: Ghosts and the Theater in Japanese Prints.” It’s a fascinating view of the ways different artists thought about monsters and ghosts as popular subjects of Japanese “Noh” Theater, a type of performance that moved from elite circles to the masses in the […]

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woodblock print of Sun Wukong the Monkey King

“Journey to the West” and “Dragon Ball Z”

In the late 1500s in China’s Ming Dynasty, one of the world’s most epic sagas was published: _Journey to the West_. Attributed to Wu Cheng’en, it incorporated folk tales and myths with an historical account of a Chinese monk seeking Buddhist texts and wisdom. Along the way, the monk is aided by protectors, of whom

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hantu belian

Hantu Belian and Running Amok

Here you see a modern artist’s rendition of a mythical Malaysian evil tiger spirit called “hantu belian,” which the Malay peoples believed would possess a person’s body and make them commit great violence while they were unconsious. This belief in hantu belian’s destructive powers was pervasive enough that they formed the origin story of the

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Cultural Exchange between Ancient Rome and Ancient India

Cultural Exchange between Ancient Rome and Ancient India

At first glance, these small statuettes seem to have little in common with each other. The one on the left is an Ancient Roman copy of Poseidon from the first or second century, originally made by the Greek artist Lysippos in the 3rd century BCE. The one on the right is a sandstone carving of

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Naga in Early Buddhist Art

Early Buddhist Art Naga Mucalinda Protecting the Buddha

Last Sunday, I got to see a terrific exhibit on early Buddhist art at the New York Metropolitan Museum. Called “Tree & Serpent: Early Buddhist Art in India 200 BCE-400 CE”, the artworks show, among other things, how pre-Buddhist nature deities and imagery were absorbed by the new religion. In this sculpture — part of

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Pre-History Lactose Tolerance

These figures painted in the Manda Guéli Cave in central Africa in prehistoric times show humans amidst animals they have domesticated. They illustrate the importance of pastoralism in human history, which isn’t just something that changed some people’s food supply (instead of foraged plants and animals, pastoralists focus on the nutrients from their domesticated beasts).

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The Trung Sisters

The Trung Sisters

The Vietnamese Trung sisters rose up against invading Chinese armies in 40 CE, and successfully rebelled for three years before their deaths. Often depicted as sword-bearing women riding on elephants, they have become a nationalist symbol for Vietnam. The Trung sisters have temples dedicated to them, statues of them adorn many city quarters, and holidays

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Acheulean Hand-axes

Rocks! But wait, there’s more: the technology heralded by these Acheulean hand-axes that you see (noted for their pear and oval shapes) signify not just the very cutting-edge (groan) way to cut into bone developed between 2 and 1.6 million years ago, but also, the formation of human language and maybe even the genesis of

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African Villages Fractals

African Villages Fractals

This traditional African village in Camaroon is one example of many of the pervasiveness of fractals in many African cultures. Ron Eglash has documented the indigenous use of fractals – repeating patterns on ever-larger scales – in African religions, textiles, and village communities. Sometimes, as one approaches the smaller or innermost components of a fractal,

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